Monthly Archives: April 2018

Experiential Reading

Ezra Pound’s definition of poetry was that which cannot be paraphrased, and by defining it that way he added his considerable literary weight to the debate on the topic of form-content unity. By this definition he might in fact have started that debate, I don’t know and purely for reasons of unnecessary self-restraint will refrain […]

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There Is Only the Work

In carrying on with our recent theme of finding value in the doing (and on that, here too), consider the well known writer’s coping mechanism (or happy delusion, willful illusion, nighttime solace, etc. etc. and take your pick) of “famous when dead”. It has of course happened, and the historical examples are sufficiently numerous that […]

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Intrinsic Rewards

There’s a scene in the lead up to the climax of Nausea by Jean-Paul Sartre where the Autodidact character – in this part of the novel essentially playing the foil to the lead character Antoine Roquentin, in whose first person perspective the book is written – reveals that he is a Socialist and that he […]

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A Writer’s Enemies

In last week’s post we considered some aspects of fictional enemies – more specifically the writing of villains – and in this week’s post I’d like to stay on the same general theme but move it out of our heads and into our hearts, from pages to people, from efiles to paper forms, from the […]

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